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*008180125s2016    xx     e            por d
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*020  $c179 kr
*0243 $a5060211503177
*02853$aFARO191CD$bFar Out Recordings
*035  $a(NO-LaBS)11259439(bibid)
*0820 $a781.62$223/nor
*090  $dMAU
*1001 $aMauro, José$_29296400
*24510$aObnoxius$hlydopptak$cJosé Mauro ‎
*260  $a[United Kingdom]$bFar Out Recordings ‎$c2016$g1970
*300  $a1 CD$bdigital, stereo$c12 cm
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*4901 $aQuartin
*500  $aToday, very little is known about Jose Mauro and as a result those searching for some kind of insight on the man behind the music must attempt to glean what they can from the music itself. One rumour claims he died in a car accident shortly before the album’s release, a fact that could have lent his brief musical career a touch of mythology were it not for how scant the details concerning any other aspects of his life are. The political turmoil from which the album emerged is significant also; recorded during an era of oppressive state censorship, the album, like all the Quartin catalogue, is the result of steadfast defiance in the face of a crushing military dictatorship. While many musicians of the era fled the country, preferring their prospects in the affluent, liberated USA, rebellious, young musicians like Mauro chose to stay and reflect their anger at the authorities through thinly veiled protest songs such as the stirring ‘Apocalipse’. Herein lies the basis for a more dramatic theory; that Mauro was in fact abducted by the military! Whatever the truth, the mystery remains unsolved, and all that remains is his bewitching music, all of which is composed by Mauro and Ana Maria Bahiana. Production on the record was cancelled after Mauro’s death and it was never sold commercially until its rerelease decades later. What appeal does Mauro’s music hold to today’s listeners, forty-something years removed from its conception? Simply put, there is very little else that sounds much like it all. Take the title track of ‘Obnoxious’. A wholly singular piece of music, blending string-drenched melancholia with orchestral pomp, sunny psychedelic strumming with propulsive percussion, topped off with Mauro’s yearning vocals. The result is indicative of Mauro’s unique blend of sounds from Latin Jazz and samba to psychedelic folk and baroque orchestration.
*5058 $aInnhold:Obnoxius ; Tarde de nupcias ; Memoria ; Ponto de chamada ; As aventuras sentimentais de Espiroqueta Camargo ; Talisma ; Arrail da lua cheia ; Ancoradouro ; Cancao da casa iluminada ; Apocalipse ; Exaltacao e lamento do ultimo rei
*599  $a179 kr
*651 4$aBrasil$_10829800
*655 4$aLatin jazz$_35772000
*655 4$aPopmusikk$_35583800
*655 4$aSamba$_36102500
*655 4$aVerdensmusikk$_35713000
*830 0$aQuartin$_29296500
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