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Spilt inn 1972 . - Innhold: From the side of man and womankind ; From the side of the machine ; From the side of woman and mankind . - Violinist, composer and filmmaker Tony Conrad started his career in New York in the early 1960s. As a member of the Theater of Eternal Music (AKA The Dream Syndicate) alongside John Cale, La Monte Young, Marian Zazeela and Angus MacLise, he participated in now-legendary and often legendarily loud drone performances with many pieces having no beginning and no end. During a fateful trip to Germany in 1972, Conrad met with avant-rock visionaries Faust and made the very first record to bear his name. Outside The Dream Syndicate, originally released in Europe only in 1973, is a stunning debut. Two side-long tracks – ‘The Side Of Man And Womankind’ and ‘The Side Of The Machine’ - show just how far Conrad had moved beyond his minimalist peers. Werner Diermaier's repetitive drum beat and Jean-Hervé Peron's stripped-down bassline conjure a tense, ascetic groove, while Conrad's seamless violin, initially so controlled, reveals a surprising adaptability. The music shifts almost on a subliminal level, pushing and pulling to the drone's internal pulse. It is hard to imagine Conrad's trajectory from downtown Manhattan to a farmhouse in the German countryside that ultimately resulted in Outside The Dream Syndicate, yet no other record captures-so completely and instantly-the intersection of avant-garde and rock forms. Outside The Dream Syndicate remains ahead of and bracingly outside of its time. Include liner notes by musician Jim O'Rourke and author Branden W. Joseph. . - 179 kr
179 kr
0622501
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1Sølvberget, 3. etasje Musikk Pop/Rock62051På hylla CON
Violinist, composer and filmmaker Tony Conrad started his career in New York in the early 1960s. As a member of the Theater of Eternal Music (AKA The Dream Syndicate) alongside John Cale, La Monte Young, Marian Zazeela and Angus MacLise, he participated in now-legendary and often legendarily loud drone performances with many pieces having no beginning and no end. During a fateful trip to Germany in 1972, Conrad met with avant-rock visionaries Faust and made the very first record to bear his name. Outside The Dream Syndicate, originally released in Europe only in 1973, is a stunning debut. Two side-long tracks – ‘The Side Of Man And Womankind’ and ‘The Side Of The Machine’ - show just how far Conrad had moved beyond his minimalist peers. Werner Diermaier's repetitive drum beat and Jean-Hervé Peron's stripped-down bassline conjure a tense, ascetic groove, while Conrad's seamless violin, initially so controlled, reveals a surprising adaptability. The music shifts almost on a subliminal level, pushing and pulling to the drone's internal pulse. It is hard to imagine Conrad's trajectory from downtown Manhattan to a farmhouse in the German countryside that ultimately resulted in Outside The Dream Syndicate, yet no other record captures-so completely and instantly-the intersection of avant-garde and rock forms. Outside The Dream Syndicate remains ahead of and bracingly outside of its time. Include liner notes by musician Jim O'Rourke and author Branden W. Joseph.

Early minimalism:volume one


av Tony Conrad
CD Musikk utgitt 1997
Ingen ledig (Avd.: Sølvberget, Magasin U2 - Plassering: Samtidsmusikk 785.7 CON)
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Outside the dream syndicate


av Tony Conrad
CD Musikk utgitt 1993
Ledig (Avd.: Sølvberget, 3. etasje Musikk - Plassering: Pop/Rock CON)
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