A spy in the house of loud : New York Songs and Stories -

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*008180618s2018    xx     e          0deng d
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*020  $a9781477316221$c250 kr
*035  $a(NO-LaBS)11260860(bibid)
*041  $aeng
*0827 $a781.64092$25
*090  $c781.64092$dSTA
*1001 $aSullivan, Bill$_29474000
*24510$aA spy in the house of loud$bNew York Songs and Stories$cChris Stamey
*260  $aAustin$bUniversity of Texas Press$c2018
*300  $a277 s.$bill.
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*500  $aPopular music was in a creative upheaval in the late 1970s. As the singer-songwriter and producer Chris Stamey remembers, “the old guard had become bloated, cartoonish, and widely co-opted by a search for maximum corporate profits, and we wanted none of it.” In A Spy in the House of Loud, he takes us back to the auteur explosion happening in New York clubs such as the Bowery’s CBGB as Television, Talking Heads, R.E.M., and other innovative bands were rewriting the rules. Just twenty-two years old and newly arrived from North Carolina, Stamey immersed himself in the action, playing a year with Alex Chilton before forming the dB’s and recording the albums Stands for deciBels and Repercussion, which still have an enthusiastic following. A Spy in the House of Loud vividly captures the energy that drove the music scene as arena rock gave way to punk and other new streams of electric music. Stamey tells engrossing backstories about creating in the recording studio, describing both the inspiration and the harmonic decisions behind many of his compositions, as well as providing insights into other people’s music and the process of songwriting. Photos, mixer-channel and track assignment notes, and other inside-the-studio materials illustrate the stories. Revealing another side of the CBGB era, which has been stereotyped as punk rock, safety pins, and provocation, A Spy in the House of Loud portrays a southern artist’s coming-of-age in New York’s frontier abandon as he searches for new ways to break the rules and make some noise.
*5208 $aPreface: The Story behind the Painting1. Don't Stop to Think2. I Love the Sound of the Traffic3. In Our Wildest Dreams4. Have You Seen the Last Elite?Jukebox: Just Tryin' to Tell a Vision5. The More You Learn, the Less You Know6. Pavement Slapping My Feet7. Eyes Submerge Your Face8. Caress and Spite9. I Loved You, and You Did, Too10. Exhilaration; or, Gorging a Neuronic Aperture11. Just Like Yesterday12. Who Will Baudelaire?13. Cut It Hot, Cut It Up, Cut It Clean, Cut It SlowJukebox: The More You Look, the More You SeeJukebox: We've Got Your Sons' Blood on Our Hands14. Your Ballerina Curls15. She Took the Soda Pop16. Wine in Plastic Cups17. The Distance That Surrounds UsJukebox: Don't Push Me, 'Cause I'm Close to the Edge18. The Air Is Full of Air19. Like a Party Balloon on the StrandJukebox: Calling Out, in Transit20. Never a TimeJukebox: Backseat for a Bed21. Anyone Who Had to Laugh22. The Whole World's Dirt23. Newspapers Collect on the Street24. I Want to Break Your Heart25. All Around You Now the Stars Are Falling DownAfterwordAcknowledgmentsAppendix: A Listener's GuideNotesSelected Discography
*546  $aEngelsk tekst
*599  $a250 kr
*60014$aStamey, Chris$d1954-$_21372500
*61024$adB's$_21426700
*650 4$aBiografier$_10033200
*650 4$aRock$_10025100
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