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Utgitt:
Engelsk
Opplysninger:
Powered by a sharp and wholly original voice, Chuck Klosterman delivers a real-life High Fidelity in this savvy, deliriously funny memoir of growing up a shameless heavy-metal devotee in 1980s North Dakota. The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he's mired in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which said rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, Shout at the Devil, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Krokus, Ratt and Poison, and a journey from which, clearly, he has never fully recovered. In the hilarious, young man growing up with a soundtrack tradition, Fargo Rock City chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan, N.D., with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.
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1Sølvberget, 3. etasje Musikk MusikkbøkerPå hylla 781.66 KLO
Empirically proving that—no matter where you are—kids wanna rock, this is Chuck Klosterman's hilrious memoir of growing up as a shameless metalhead in Wyndmere, North Dakotoa (population: 498).

With a voice like Ace Frehley's guitar, Klosterman hacks his way through hair-band history, beginning with that fateful day in 1983 when his older brother brought home Mötley Crüe's Shout at the Devil. The fifth-grade Chuck wasn't quite ready to rock—his hair was too short and his farm was too quiet—but he still found a way to bang his nappy little head. Before the journey was over, he would slow-dance to Poison, sleep innocently beneath satanic pentagrams, lust for Lita Ford, and get ridiculously intellectual about Guns N' Roses. C'mon and feel his noize.

Klosterman is the guy at the end of the bar who’s smart enough, and opinionated enough, to argue both sides of any debate; he’s also funny enough that you’re happy to let him do so. His concerns have expanded over the course of nine books, but it all starts here, with his close study of hair metal, fired by vivid scenes of Klosterman as a short-haired teenager besotted with Motley Crue.

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