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*003NO-LaBS
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*007t
*008150910s2009    xx     e          0 eng d
*009     nam         1
*019  $bl
*020  $a9780520253100$qib.$c250 kr
*035  $a(NO-LaBS)11245483(bibid)
*041  $aeng
*0827 $a781.66$25
*090  $c781.66$dWAK
*1001 $aWaksman, Steve$_28053800
*24510$aThis Ain't the Summer of Love$bconflict and crossover in heavy metal and punk$cSteve Waksman
*260  $aBerkeley$bUniversity of California Press$ccop. 2009
*300  $a391 s.$bill.
*336  $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337  $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338  $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*5058 $aHar noteapparat, bibliografi, diskografi og register
*5208 $aThis lively and entertaining revisionist history of rock music after 1970 reconsiders the roles of two genres, heavy metal and punk. Instead of considering metal and punk as aesthetically opposed to each other, Steve Waksman breaks new ground by showing that a profound connection exists between them. Metal and punk enjoyed a charged, intimate relationship that informed both genres in terms of sound, image, and discourse. This Ain't the Summer of Love traces this connection back to the early 1970s, when metal first asserted its identity and punk arose independently as an ideal about what rock should be and could become.
*546  $aEngelsk tekst
*599  $a250 kr
*650 4$aMetal$_14622700
*650 4$aPunk$_14401200
^