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*020##$a9781838858148$cNkr 162.00$qheftet
*035 $a(NO-LaBS)19003436(bibid)
*035 $a(NO-OsBA)0670987
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*082 $a780.8996073$qNO-OsBA$223/nor
*090 $c781.643$dBAR
*1001#$aBaraka, Imamu Amiri$d1934-2014$0(NO-TrBIB)90088971$4aut$811$81$_46513500
*240 $aBlues people$_46513600
*24510$aBlues people$bnegro music in white America$cLeRoi Jones (Amiri Baraka)
*264 $aEdinburgh$bCanongate$c2022
*300##$axii, 244 sider
*336##$atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337##$auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338##$abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*386##$aAmerikanere$bam.$mNasjonalitet/regional gruppe$2bibbi$81
*386##$am$mKjønn$811
*4901#$aThe canons
*520 #$aIn this essential and impassioned text, LeRoi Jones traces the intertwined development of blues and jazz music with the history of its creators in 'White America'. As important and relevant as at its first publication in 1963, it shows how music and its people are inseparable - expressing and reflecting the other, surviving and adapting through oppression.
*546##$aEngelsk tekst
*650 7$aAfroamerikanske musikarar$zUSA$0(NO-OsBA)1144979$2bibbi$9nno$_46513700
*650 7$aAfroamerikanske musikere$zUSA$0(NO-OsBA)1144979$2bibbi$9nob$_46513800
*7001#$aBaraka, Imamu Amiri$d1934-2014$0(NO-TrBIB)90088971$tBlues people$_46513500
*830 4$aThe canons$_46513900
*8521#$h780.89$iBAR
*85641$aaja.bs.no$qimage/jpeg$uhttps://media.aja.bs.no/b194a1db-7eae-415c-97fd-794a9fdb9d6e/original.jpg$3Omslagsbilde
*85641$aaja.bs.no$qimage/jpeg$uhttps://media.aja.bs.no/b194a1db-7eae-415c-97fd-794a9fdb9d6e/thumbnail.jpg$3Miniatyrbilde
*900 0$aJones, Everett LeRoi$9nor$zBaraka, Imamu Amiri$_46514000
*900 0$aJones, LeRoi$d1934-2014$9nor$jam.$zBaraka, Imamu Amiri$_46514100
^
