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*020  $a9780195139549$qib.$c250 kr
*035  $a(NO-LaBS)11238551(bibid)
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*0827 $a780.973$25
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*090  $c780.973$dROD
*1001 $aBlock, Geoffrey Holden$d1948-$_21202900
*24510$aThe Richard Rodgers reader$cedited by Geoffrey Block.
*260  $aOxford$bOxford University Press$c2002
*300  $axii, 356 s.$bill.
*336  $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337  $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338  $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*4901 $aReaders on American musicians
*5058 $apt. 1 Rodgers and Hart, 1919-1943 :The age of Rodgers and Hart /Ethan Mordden. "My heart stood still" : Gerald Mast ; Richard Rodgers ; Philip Furia ; Alec Wilder ; Allen Forte. fromLetters to Dorothy, 1926-1937 and A Personal Book /Dorothy Rodgers. Chee-Chee, the castration musical /Richard Rodgers,Lorenz Hart. Cover story : "The boys from Columbia" /Time Magazine. "Words and music : Rodgers and Hart" /Margaret Case Harriman. Pal Joey : drawing "sweet water from a foul well" /Brooks Atkinson. "Not a few of his songs were left on the cutting room floor" /Stanley Green. Remembering Rodgers and Hart /Oscar Hammerstein.
*5058 $apt. 2 Rodgers and Hammerstein, 1943-1960 :"As corny as Kansas in August, as restless as a willow in a windstorm" /Gerald Mast. "Thework that changed the form" /Ethan Mordden. The theatre guild presents Oklahoma! and Carousel /Lawrence Langner. "R. and H." /Agnes De Mille. "What is a Richard Rodgers?" /Joshua Logan. "There's hope for everyone" /Mary Martin. The art of adaptation /Lehman Engel. Rethinking Pal Joey /Brooks Atkinson. "TheAmerican musical" /Eric Bentley. "Themusical stage" /George Jean Nathan. "Moving in the direction of opera" /Leonard Bernstein. A few favorite things about Rodgers with Hammerstein /Alec Wilder. "Thenicest guys in show business" /Cleveland Amory. "Introduction" to Richard Rodgers /David Ewen.
*5058 $apt. 3 Rodgers after Hammerstein, 1960-1979 :"You can't force it" /Winthrop Sargeant. "Rodgers without Hammerstein" /Arthur Gelb,Barbara Gelb. "Richard Rodgers is calling" /Diahann Carroll. "Theless said, the better" /Craig Zadan. "Theplot against musicals" /Walter Kerr. The perils of producing Rex /Richard Adler. Anatomy of a flop : Pipe Dream, Do I Hear a Waltz?, Rex, and I Remember Mama /Ken Mandelbaum. "Overture" to Richard Rodgers /William G. Hyland. "Introduction" to Musical Stages /Mary Rodgers Guettel.
*5058 $apt. 4 The composer speaks, 1939-1971 :"How to write music in no easy lessons : A Self Interview" [1939]. "Introduction" to The Rodgers and Hart Song Book [1951]. "Jerome Kern : a tribute" [1951]. "Pal Joey : history of a 'heel'" [1951]. "Theright to revive" (or "Revive and let live") [1954]. "Cancer? I've had it!" [1957]. "Introduction" (with Oscar Hammerstein) to The Rodgers and Hammerstein Song Book [1958]. "Hammerstein : words by Rodgers" [1960]. "Opera and Broadway" [1961]. "Now the musical theater is enshrined" [1964]. "Acomposer looks at his lyricists" [1967]. Reminiscences of Richard Rodgers [1969] : Pal Joey ; Endings and beginnings ; Words and Music ; Allegro ; South Pacific ; Pipe Dream ; Flower Drum Song ; The Sound of Music ; No Strings ; Do I hear a waltz?. "TheBroadway audience is still there, waiting for more good shows" [1971].
*5208 $aRichard Rodgers was one of America's most prolific and best-loved composers. A world without "My Funny Valentine," "The Lady is a Tramp," "Blue Moon," and "Bewitched," to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and the musicals he wrote with his second collaborator, Oscar Hammerstein--Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music--continue to enchant and entertain audiences. Arranged in four sections, Rodgers and Hart (1929-1943), Rodgers and Hammerstein (1943-1960), Rodgers After Hamme.
*546  $aEngelsk tekst
*599  $a250 kr
*60014$aRodgers, Richard$d1902-1979$_12061400
*650 4$aBiografier$_10033200
*650 4$aKomponister$_10022300
*650 4$aMusikaler$_12060000
*650 4$aMusikkritikk$_12146900
*650 4$aTolkning$_10180100
*651 4$aUSA$_10088200
*7001 $aBlock, Geoffrey Holden$d1948-$_21202900
*830 0$aReaders on American musicians$_27500000
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