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*020  $a9781472122438$c299 kr
*035  $a(NO-LaBS)11254265(bibid)
*041  $heng
*0820 $223/nor$a781.6608664
*090  $c781.64$dAST
*1001 $aAston, Martin$_26909300
*24510$aBreaking down the walls of heartache$bhow music came out$cMartin Aston
*260  $aLondon$bConstable$c2016
*300  $a574 s.$bill.
*336  $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337  $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
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*5208 $aPopular music's gay DNA is inarguable, from Elvis in eye shadow and Little Richard's 'Tutti Frutti' to The Velvet Underground's subversive rock'n'roll and Bowie's ambisexual alien Ziggy Stardust; from kd lang's female Elvis to Kurt Cobain in a dress; from Noughties lesbian icon Beth Ditto to Lady Gaga's 'Born This Way' manifesto. But if collected essays and/or features have addressed gay, lesbian, bisexual and transgender singers, songwriters, musicians and songs, no book has yet comprehensively and authoritatively drawn together all the threads to explore this as an unfolding, historical narrative: to tell the story of how music 'came out', from the days when homosexuals were deeply in the closet, but the love that once dared not speak its name sings it, and on daytime radio to boot.
*599  $a299 kr
*650 4$aHomoseksualitet$_10194300
*650 4$aMusikk$_10004000
*650 4$aMusikkhistorie$_10460800
^