*0010662648
*003NO-LaBS
*00520211116211803.0
*007t
*008180312s2011    xx     e          1 eng d
*009     nam         1
*019  $bl$dR
*020  $a9781935554608$qh.$c125 kr
*035  $a(NO-LaBS)11259845(bibid)
*041  $heng
*0827 $a82
*0837 $a823.914
*090  $dRAY
*1001 $aRaymond, Derek$cpsevd.$d1931-1994$_13841900
*24510$aI was Dora Suarez$cDerek Raymond
*260  $aBrooklyn, N.Y.$bMelville House$c[2011]
*300  $a201 s.
*336  $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337  $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338  $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*4901 $aThe factory series$v[4]
*5208 $aIn Derek Raymond's most talked-about novel -indeed, in what may be one of the most talked-about crime novels ever- the reader is immediately plunged into the horrific mind of one of the most brutally damaged and murderous killers the unnamed Detective Sergeant has ever faced: a deranged axe-murderer. But why the victim, the gentle Dora Suarez, was murdered at all becomes the Sergeant's obsession, especially as he digs deeper into a diary she left behind and learns she was already dying of AIDS. So why kill her?
*546  $aEngelsk tekst
*599  $a125 kr
*655 4$aKriminal$_10949700
*655 4$aRomaner$_10572400
*655 7$aRoman$9nor$2norvok$_27446100
*830 0$aThe factory series$v[4]$_29356800
^