Sayonara Amerika, Sayonara Nippon : a Geopolitical Prehistory of J-Pop
Michael BourdaghsBourdaghs, Michael Bok Engelsk utgitt 2011
Ledig
Sølvberget, 3. etasje Musikk: 1 av 1 ledig
(sortering: 781.64 BOU)
(sortering: 781.64 BOU)
*0010625683 *003NO-LaBS *00520211116211414.0 *007t *008131018s2011 xx e 0 eng d *009 nam 1 *019 $bl *020 $a978-0-231-15875-6$qh.$c250 kr *035 $a(NO-LaBS)11230339(bibid) *0827 $a781.64 *090 $c781.64$dBOU *1001 $aBourdaghs, Michael$_26913200 *24510$aSayonara Amerika, Sayonara Nippon$ba Geopolitical Prehistory of J-Pop$cMichael Bourdaghs *260 $aNew York$bColumbia University Press$c2011 *300 $a285 s.$bill. *336 $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco *337 $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt *338 $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact *5208 $aFrom the beginning of the American occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations over an ever-shifting geopolitical reality into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony. Michael Bourdaghs composes the first English-language study of this phenomenon, considering genres as diverse as boogie-woogie, rockabilly, enka, 1960s rock and roll, 1970s new music, folk, and techno-pop. *546 $aEngelsk tekst *599 $a250 kr *650 4$aMusikkhistorie$_10460800 *650 4$aPopkultur$_15056300 *650 4$aPopmusikk$_10025000 *651 4$aJapan$_10213800 ^