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*035 $a(NO-LaBS)11235952(bibid)
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*090 $c781.49$dKEN
*1001 $aKennedy, Rick$_27289000
*24510$aLittle Labels - Big Sound$bSmall Record Companies and the Rise of American Music$cRick Kennedy and Randy McNutt
*260 $aBloomington$bIndiana University Press$ccop. 1999
*300 $a198 s.$bill.
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*5058 $aHar noteapparat, bibliografi og register
*5208 $aBeginning with Henry Gennett, whose modest Midwestern record company, a piano dealership spinoff, helped launch the careers of jazz immortals King Oliver and Louis Armstrong, Kennedy (Jelly Roll, Bix, and Hoagy) and McNutt (We Wanna Boogie) tell how 10 independent record labels shaped the course of American popular music. Predictably, Sam Phillipss Sun Records, perhaps the most celebrated little label in music history, merits a chapter. More interesting, though, are profiles of less familiar independents such as Don Robeys gospel-oriented Peacock Records and John Vincents pioneering rhythm-and-blues label, Ace. The authors skillfully lay out the complex racial politics of their story, showing, for example, how a shared interest in profits and fresh sounds could bring together personalities as diverse as Soul Brother Number One, James Brown, and Syd Nathan, the feisty Jewish entrepreneur whose Cincinnati-based King Records made Brown a million-seller.
*546 $aEngelsk tekst
*599 $a250 kr
*650 4$aMusikkhistorie$_10460800
*650 4$aMusikkindustri$_14750600
*650 4$aPlateselskaper$_13710400
*7001 $aMcNutt, Randy$emedforfatter$4aut$_19957800
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