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*008141203s2011 xx e 0 eng d
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*019 $bl
*020 $a9781617030420$qh.$c250 kr
*035 $a(NO-LaBS)11239766(bibid)
*041 $heng
*0827 $a781.621$25
*090 $c781.621$dMIN
*1001 $aMinton, John$_27594200
*24510$a78 blues$bfolksongs and phonographs in the american south$cJohn Minton
*260 $aJackson$bMississippi$c2011
*300 $a288 s.$bill.
*336 $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337 $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338 $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*5058 $aHar noter og register
*5208 $aA study of the first "hillbilly" and "race" records and their impact on artists and audiences When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key "hillbilly" and "race" records released between the 1920s and World War II.
*546 $aEngelsk tekst
*599 $a250 kr
*650 4$a78-plater$_27417600
*650 4$aBlues$_10024500
*650 4$aCountrymusikk$_12156600
*651 4$aUSA$_10088200
^
