Rockin' a Hard Place : Flats, Sharps & Other Notes from a Misfit Music Club Owner
John JeterJeter, John
Bok Engelsk utgitt cop. 2012
Ledig
Sølvberget, Magasin U2: 1 av 1 ledig
(sortering: 781.64 JET)
(sortering: 781.64 JET)
*0010638167 *003NO-LaBS *00520211116211117.0 *007t *008150202s2012 xx e 0 eng d *009 cam 1 *019 $bl *020 $a9781891885990$qh.$c250 kr *035 $a(NO-LaBS)11241320(bibid) *041 $aeng *0827 $a781.64$25 *090 $c781.64$dJET *1001 $aJeter, John$d1960-$_27712600 *24510$aRockin' a Hard Place$bFlats, Sharps & Other Notes from a Misfit Music Club Owner$cJohn Jeter *260 $aSpartanburg$bHub City$ccop. 2012 *300 $a202 s. *336 $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco *337 $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt *338 $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact *5208 $aRockin’ a Hard Place is the story of The Handlebar, an intimate “listening room” that has presented thousands of artists—John Mayer, Joan Baez, Zac Brown, and Sugarland among them—and hosted a quarter-million fans since its opening in 1994. A promoter’s memoir, this is the story of a naïve plunge into an industry that Hunter S. Thompson once called a “cruel and shallow money trench, a long plastic hallway where thieves and pimps run free.” With a wry and irreverent voice, Jeter describes the concert business from the bottom of its food chain, where one band’s backstage demand includes “one hamster dressed like Indiana Jones, one dressed like a police officer,” where a landlord seeks to evict him over an ice machine, and where he is reduced to standing with a decibel meter in the dark behind his club. *546 $aEngelsk tekst *599 $a250 kr *650 4$aKonserter$_10121700 *650 4$aKonsertlokaler$_21155000 *650 4$aPopmusikk$_10025000 *650 4$aRock$_10025100 *651 4$aUSA$_10088200 ^