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*008150205s2011    xx     e          0 nob d
*009     nam         1
*019  $bl
*020  $a9780199747474$qib.$c250 kr
*035  $a(NO-LaBS)11241507(bibid)
*041  $aeng
*0827 $a781.642$25
*090  $c781.642$dSTI
*1001 $aStimeling, Travis D.$_27724300
*24510$aCosmic Cowboys and New Hicks$bthe Countercultural Sounds of Austin's Progressive Country Music Scene$cTravis D. Stimeling
*260  $aNew York$bOxford University Press$ccop. 2011
*300  $a173 s.
*336  $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337  $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338  $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*5058 $aHar noteapparat, bibliografi, diskografi, filmografi og register
*5208 $aCountry music of the late 1960s and early 1970s was a powerful symbol of staunch conservative resistance to the emerging counterculture. But starting around 1972, the city of Austin, Texas became host to a growing community of musicians, entrepreneurs, journalists, and fans who saw country music as a part of their collective heritage and sought to merge it with countercultural ideals to forge a distinctly Texan counterculture. Progressive country music-a hybrid of country music and rock-blossomed in this growing Austin community, as it played out the contradictions at work among its residents. The music was at once firmly grounded in the traditional Texan culture in which they had been raised, and profoundly affected by their newly radicalized, convention-flouting ways.
*546  $aEngelsk tekst
*599  $a250 kr
*650 4$aCountrymusikk$_12156600
*650 4$aMusikkhistorie$_10460800
*651 4$aAustin$_16585900
^