*0010639096
*003NO-LaBS
*00520211116211712.0
*007t
*008150312s2011 xx e 0 nob d
*009 nam 1
*019 $bl
*020 $a9781849350570$qib.$c250 kr
*035 $a(NO-LaBS)11242296(bibid)
*041 $aeng
*0827 $a781.649$25
*090 $c781.649$dBAL
*1001 $aBall, Jared A.$_27777600
*24510$aI Mix What I Like!$ba mixtape manifesto$cby Jared A. Ball
*260 $aOakland$bAK$ccop. 2011
*300 $a226 s.
*336 $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337 $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338 $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*5058 $aHar bibliografi og noteapparat
*5208 $aIn a moment of increasing corporate control in the music industry, Jared A. Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance. Equally at home in a post-colonial studies class and on the shelves of an indie record store, I Mix What I Like! is a revolutionary investigation of the cultural dimension of anti-racist organizing in African America.
*546 $aEngelsk tekst
*599 $a250 kr
*650 4$aHip hop$_15940500
*650 4$aPiratkopiering$_22800100
*650 4$aPopulærkultur$_17183600
^
