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*008170111s2016    xx     e          0 eng d
*009     nam         1
*019  $bl
*020  $a9780226353807$qh.$c250 kr
*035  $a(NO-LaBS)11254221(bibid)
*041  $heng
*0820 $a781.36$223/nor
*090  $c781.36$dCOR
*1001 $aCorbett, John$d1963-$_28767600
*24512$aA listener's guide to free improvisation$cJohn Corbett.
*260  $aChicago$aLondon$bThe University of Chicago Press,$c[ 2016]
*300  $axvii, 172 s.
*336  $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337  $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338  $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*5058 $aPreparing to go into the field ; Range and diversity ; Fundamentals ; Rhythm: the hurdle ; Duration: another hurdle ; Basic identification: who is doing what? ; Entrances and exits: mapping the flow of events ; Interaction dynamics: the core ; Dynamics dynamics: passive-aggressive improvising ; Transitions: observing how the music changes ; Structure: the butcher shop ; Personal vocabulary: each unto themselves ; Advanced techniques ; On watching while listening ; Live or memorex? ; Tinder: 20 starter records for your improvised music collection ; Once vs. ongoing ; The level of mystery ; The ambiguous and the unresolved: is Tony dead? ; The rule of threes ; Dancing between the hypothetical poles ; Poly-free ; Tinder II: 20 classic poly-free records ; Distraction and sleep ; Thinking and chewing gum (at the same time) ; You and the night and the music: audience participation ; Additional reading: seven great books (plus one DVD) ; A little rouge, a touch of blush ; On the moral superiority of improvised music ; Life list: a selected checklist of major living free improvisors
*546  $aEngelsk tekst
*599  $a250 kr
*650 4$aImprovisasjon$_13713700
*65004$aImprovisert musikk$_17037300
*65004$aMusikk$_10004000
^