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*020 $z9780810884885
*035 $a(NO-LaBS)11238529(bibid)
*0827 $a781. 624$25
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*090 $c781.624$dCON
*1001 $aConforth, Bruce M.$d1950-$_27499300
*24510$aAfrican American folksong and American cultural politics$bthe Lawrence Gellert story$cBruce M. Conforth
*260 $aLanham$bScarecrow Press$c2013
*300 $a265 s.$bill.
*336 $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337 $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338 $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*4901 $aAmerican folk music and musicians series
*5058 $aIncludes bibliographical references and index.
*5058 $aThe cultural front and the Negro : the political context of emergence for Lawrence Gellert ; The early years : family roots and influences, 1898-1920 ; The 1920s : trying to find oneself ; The early 1930s : a star and a genre are born ; Lead Belly and the Lomaxes, 1934-1936 ; Negro songs of protest and protest in "Negro" songs ; The WPA theater, Writers' Projects, and World War II ; The 1950s : downplay and disaster ; The 1960s : rebuffed and rediscovered ; The 1970s : odd man out ; Epilogue to a life.
*5208 $aIn African American Folksong and American Cultural Politics: The Lawrence Gellert Story, scholar and musician Bruce Conforth tells the story of one of the most unusual collections of African American folk music ever amassed-and the remarkable story of the man who produced it: Lawrence Gellert.
*546 $aEngelsk tekst
*599 $a494 kr
*60014$aGellert, Lawrence$d1898-1979$_27499500
*650 4$aViser$_10024300
*65004$aAfro-amerikanere$_12594200
*65004$aBlues$_10024500
*65004$aFolk$_26869300
*65004$aNegro spirituals$_10024800
*65004$aProtestsanger$_13556300
*830 0$aAmerican folk music and musicians series$_27499400
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