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*008140925s1998    xx     e          0 eng d
*009     nam         1
*015  $a97033021$2nbf
*019  $bl
*020  $a0679771263 (h.)$c117 kr.
*020  $a9780679771265$qh.
*035  $a(NO-LaBS)1359164(bibid)
*0827 $a781.643$25
*0827 $a782.421643082
*090  $c781.643$dDAV
*1001 $aDavis, Angela Y.$d1944-$_13589200
*24510$aBlues legacies and Black feminism$bGertrude "Ma" Rainey, Bessie Smith and Billie Holiday$cAngela Y. Davis
*260  $aNew York$bVintage$cc1998
*300  $axx, 427 s., [12] s. ill.$bill.$c21 cm.
*336  $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337  $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338  $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*5058 $aI used to be your sweet mama : ideology, sexuality, and domesticity ; Mama's got the blues : rivals, girlfriends, and advisors ; Here come my train : traveling themes and women's blues ; Blame it on the blues : Bessie Smith, Gertrude "Ma" Rainey, and the politics of blues protest ; Preaching the blues : spirituality and self-consciousness ; Up in Harlem every Saturday night : blues and the Black aesthetic ; When a woman loves a man : social implications of Billie Holiday's love songs ; "Strange fruit" : music and social consciousness ; Lyrics to songs recorded by Gertrude "Ma" Rainey ; Lyrics to songs recorded by Bessie Smith.
*5058 $aIncludes bibliographical references and index.
*5208 $aJazz, it is widely accepted, is the signal original American contribution to world culture. Angela Davis shows us how the roots of that form in the blues must be viewed not only as a musical tradition but as a life-sustaining vehicle for an alternative black working-class collective memory and social consciousness profoundly at odds with mainstream American middle-class values. And she explains how the tradition of black women blues singers - represented by Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday - embodies not only an artistic triumph and aesthetic dominance over a hostile popular music industry but an unacknowledged proto-feminist consciousness within working-class black communities. Through a close and riveting analysis of these artists' performances, words, and lives, Davis uncovers the unmistakable assertion and uncompromising celebration of non-middle-class, non-heterosexual social, moral, and sexual values.
*546  $aEngelsk tekst
*599  $a117 kr.
*60014$aHoliday, Billie$d1915-1959$_12080500
*60014$aRainey, Ma$d1886-1939$_22917200
*60014$aSmith, Bessie$d1894-1937$_12080700
*650 4$aAfro-amerikanere$_12594200
*650 4$aBlues$_10024500
*650 4$aFeminisme$_10530900
*650 4$aMusikkhistorie$_10460800
*650 4$aMusikkritikk$_12146900
*651 4$aUSA$_10088200
^