*0010638162
*003NO-LaBS
*00520211116211117.0
*007t
*008150202s2012 xx e 0 nob d
*009 nam 1
*019 $bl
*020 $a9780881463811$qib.$c250 kr
*035 $a(NO-LaBS)9890225(bibid)
*041 $aeng
*0827 $a781.64092$25
*090 $c781.64092$dSMI
*1001 $aSmith, Michael Buffalo$_27712200
*24510$aPrisoner of Southern Rock$ba Memoir$cMichael Buffalo Smith ; [foreword by Billy Bob Thornton]
*260 $aMacon$bMercer University Press$ccop. 2012
*300 $a301 s.$bill.
*336 $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337 $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338 $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*5058 $aHar register
*5208 $aMusic writer Smith (Carolina Dreams: The Musical Legacy of Upstate South Carolina) pens this memoir of growing up in South Carolina, working as a journalist and musician, and getting to know artists such as the Allman Brothers, Charlie Daniels, the Marshall Tucker Band, and many others. Smith does not attempt to chronicle Southern rock exhaustively but rather recounts, in a chatty and casual tone, his personal involvement with many of the book's key figures. While a number of other books focus on specific Southern rock artists (e.g., Randy Poe's Skydog: The Duane Allman Story; Gene Odom's Lynyrd Skynyrd: Remembering the Free Birds of Southern Rock), few attempt to cover the genre as a whole (Mark Kemp's Dixie Lullaby: A Story of Music, Race, and New Beginnings in a New South is one exception).
*546 $aEngelsk tekst
*599 $a250 kr
*60014$aSmith, Michael Buffalo$_27712200
*650 4$aJournalister$_10164400
*650 4$aRock$_10025100
*651 4$aUSA$_10088200
*655 4$aSørstatsrock$_39572400
^
