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*008150601s2010    xx     e          0 eng d
*009     nam         1
*019  $bl
*020  $a9780786443574$qh.$c250 kr
*035  $a(NO-LaBS)11243706(bibid)
*041  $aeng
*0827 $a781.64092$25
*090  $c781.64092$dGRA
*24504$aThe Grateful Dead in Concert$bessays on live improvisation$cedited by Jim Tuedio and Stan Spector ; foreword by Stanley Krippner
*260  $aJefferson$bMcFarland & Company$ccop. 2010
*300  $a355 s.$bill.
*336  $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337  $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338  $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*5058 $aHar register
*5208 $aThis book of 20 original, scholarly essays and seven reflective writings offers a spirited analysis of the unique improvisational character of Grateful Dead music and its impact on appreciative fans. The essays capture distinct facets of the Grateful Dead phenomenon from a broad range of scholarly angles: musicology and ethnomusicology; Continental and postmodern philosophies; sociology; socio-political and cultural anthropology; communication theory and online communities; and, organizational practices in business. The band's trademark synergizing focus is discussed as a function of complex musical improvisation interlaced with the band members' collective assimilation of an impressive range of marginal musical forms and lyrical traditions. These facets are shown to produce a vibrant Deadhead experience, resulting in community influences still morphing in new directions 45 years after the band's initial impact.
*546  $aEngelsk tekst
*599  $a250 kr
*61024$aGrateful Dead$_14647900
*650 4$aImprovisasjon$_13713700
*650 4$aKonserter$_10121700
*650 4$aMusikkanalyse$_15090400
*650 4$aRock$_10025100
*7001 $aSpector, Stan$eredaktør$4edt$_27887000
*7001 $aTuedio, James Alan$eredaktør$4edt$_27887100
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