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*008160825s2016 xx e 0 eng d
*009 nam 1
*019 $bl
*020 $a978-0-14-218161-4$qh.$c149 kr
*035 $a(NO-LaBS)11252549(bibid)
*041 $heng
*0820 $223/nor$a780.266
*090 $c780.266$dSPI
*1001 $aSpitznagel, Eric$_23284400
*24510$aOld records never die$bone man's quest for his vinyl and his past$cEric Spitznagel
*260 $aNew York$bPlume$c2016
*300 $a274 s.
*336 $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337 $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338 $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*5208 $aHigh Fidelity meets Killing Yourself to Live when one man searches for his lost record collection. As he finds himself within spitting distance of middle-age, journalist Eric Spitznagel feels acutely the loss of… something. Freedom? Maybe. Coolness? Could be. The records he sold in a financial pinch? Definitely. To find out for sure, he sets out on a quest to find the original vinyl artifacts from his past. Not just copies. The exact same records: The Bon Jovi record with his first girlfriend's phone number scrawled on the front sleeve. The KISS Alive II he once shared with his little brother. The Replacements Let It Be he’s pretty sure, 20 years later, would still smell like weed. As he embarks on his hero's journey, he reminisces about the actual records, the music, and the people he listened to it with—old girlfriends, his high school pals, and, most poignantly, his father and his young son. He explores the magic of music and memory as he interweaves his adventures in record-culture with questions about our connection to our past, the possibility of ever recapturing it, and whether we would want to if we could.
*599 $a149 kr
*650 4$aLP-plater$_13744400
*650 4$aMusikk$_10004000
*650 4$aSamlervirksomhet$_10972300
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