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*24500$aThe Oxford handbook of country music$cTravis D. Stimeling
*260  $aNew York, NY$bOxford University Press$c2017
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*5110 $aIntroduction : situating country msuic studies / Travis D. Stimeling -- Country music studies and folklore / Erika Brady -- The "southerness" of country music / Patrick Huber -- The Country Music Association, the Country Music Foundation, and country music's history / Diane Pecknold -- Country music as cultural practice / Clifford R. Murphy -- Geography and country music : constructing "geo-cultural" identities / Jada Watson -- On the notion of "old-time" in country music / Gregory N. Reish -- Recording practice in country music / Travis D. Stimeling -- The singing voice in country music / Stephanie Vander Wel -- This machine plays country music : invention, innovation, and the pedal steel guitar / Tim Sterner Miller -- Country music and the recording industry / Charles L. Hughes -- Country radio : the dialectic of format and genre / Eric Weisbard -- Country music and television / Tracey E.W. Laird -- Country music and film / Barry Mazor -- The sociology of country music / Richard Lloyd -- Country music and class / Leigh H. Edwards -- Race in country music scholarship / Olivia Carter Mather -- Gendered stages : country music, authenticity, and the performance of gender / Kristine M. McCusker -- Sexuality in country music / Pamela Fox -- The sacred in country music / Stephen Shearon -- Goin' hillbilly nuts : fasion culture and visual style in country music / Caroline Gnagy -- Whither the two-step : country dance rewrites its musical lineage / Jocelyn R. Neal -- "These are my people" : the politics of country music / Jason Mellard -- Country music and fan culture / Jonathan R. Wynn -- What's international about international country music? Country music and national identity around the world / Nathan D. Gibson
*5208 $aNow in its sixth decade, country music studies is a thriving field of inquiry involving scholars working in the fields of American history, folklore, sociology, anthropology, musicology, ethnomusicology, cultural studies, and geography, among many others. Covering issues of historiography and practice as well as the ways in which the genre interacts with media and social concerns such as class, gender, and sexuality, The Oxford Handbook of Country Music interrogates prevailing narratives, explores significant lacunae in the current literature, and provides guidance for future research. More than simply treating issues that have emerged within this subfield, The Oxford Handbook of Country Music works to connect to broader discourses within the various fields that inform country music studies in an effort to strengthen the area's interdisciplinarity. Drawing upon the expertise of leading and emerging scholars, this Handbook presents an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century.
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