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*1000#$aSchonberg, Harold C.$d1915-2003$_12057500
*24510$aThe lives of the great composers$cHarold C. Schonberg
*250 #$aThird edition
*260 #$aNew York$bW.W. Norton & Company$c1997
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*5058#$aPioneer of opera: Claudio Monteverdi --Transfiguration of the baroque: Johann Sebastian Bach -- Composer and impresario: George Frideric Handel -- Reformer of opera: Christoph Willibald Gluck -- Classicism par excellence: Joseph Haydn -- Prodigy from Salzburg: Wolfgang Amadeus Mozart -- Revolutionary from Bonn: Ludwig van Beethoven -- Poet of music: Franz Schubert -- Freedom and a new language: Weber and the early Romantics -- Romantic exuberance and classic restraint: Hector Berlioz -- Florestan and Eusebius: Robert Schumann -- Apotheosis of the piano: Frédéric Chopin -- Virtuoso, charlatan--and prophet: Franz Liszt -- Bourgeois genius: Felix Mendelssohn -- Voice, voice, and more voice: Rossini, Donizetti, Bellini -- Spectacle, spectacle, and more spectacle: Meyerbeer, Cherubini, Auber -- Colossus of Italy: Giuseppe Verdi -- Colossus of Germany: Richard Wagner -- Keeper of the flame: Johannes Brahms -- Master of the lied: Hugo Wolf -- Waltz, can-can, and satire: Strauss, Offenbach, Sullivan -- Faust and French opera: from Gounod to Saint-Saëns -- Russian nationalism and the mighty five: from Glinka to Rimsky-Korsakov -- Surcharged emotionalism: Pyotr Ilyich Tchaikovsky -- From Bohemia to Spain: European nationalists -- Chromaticism and sensibilité: from Franck to Fauré -- Only for the theater: Giacomo Puccini -- Romanticism's long coda: Richard Strauss -- Religion, mysticism and retrospection: Bruckner, Mahler, Reger -- Sympolism and Impressionism: Claude Debussy -- Gallic elegance and the new breed: Maurice Ravel and Les Six -- The chameleon: Igor Stravinsky -- The English Renaissance: Elgar, Delius, Vaughan Williams -- Mysticism and melancholy: Scriabin and Rachmaninoff -- Under the Soviets: Prokofiev and Shostakovich -- German Neoclassicism: Busoni, Weill, Hindemith -- Rise of an American tradition: from Gottschalk to Copland -- The uncompromising Hungarian: Béla Bartók -- The second Viennese school: Schoenberg, Berg, Webern -- The international serial movement: from Varèse to Messiaen -- The new eclecticism: from Carter to the minimalists
*5208#$aIn the new edition of this highly successful book, Harold Schonberg has traced the consecutive line of composers from Claudio Monteverdi to the tonalists of the 1990s through a series of fascinating biographical chapters. Music, the author contends, is a continually evolving art, and there have been no geniuses, however, great, who have not been influenced by their predecessors. The great composers are here presented as human beings who lived and related to the real world around them. Schonberg brings the reader closer to an identification with the composers he discusses and thus closer to an understanding of their music. The book consequently places more emphasis on biographical details and less upon technical analysis of the music. For this newly designed edition, Schonberg has once again extended the book's coverage with informative and clearly written descriptions of the later serialists, minimalist composers, and the new tonalists of the 1990s. Scattered throughout are many changes and additions reflecting the wide range of musicological findings of the past fifteen years. An updated bibliography has been prepared and additional illustrations provided.
*650 4$aBiografier$_10033200
*650 4$aKomponister$_10022300
^