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*090  $c780.0301$dATT
*1001 $aAttali, Jacques$d1943-$_24260200
*24510$aNoise$bthe political Economy of Music$cJacques Attali ; translation by Brian Massumi ; foreword by Fredric Jameson ; afterword by Susan McClary
*250  $aThirteenth printing
*260  $a[S.l]$bUniversity of Minnesota Press$c2017
*300  $a179 s.$bill.
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*4901 $aTheory and History of Literature$vVolume 16
*500  $aNoise: The Political Economy of Music is a book by French economist and scholar Jacques Attali concerning the role of music in the political economy. Attali's essential argument in Noise: The Political Economy of Music (French title: Bruits: essai sur l'economie politique de la musique) is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For Marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place: "[Attali] is the first to point out the other possible logical consequence of the “reciprocal interaction” model—namely, the possibility of a superstructure to anticipate historical developments, to foreshadow new social formations in a prophetic and annunciatory way. The argument of Noise is that music, unique among the arts for reasons that are themselves overdetermined, has precisely this annunciatory vocation; that the music of today stands both as a promise of a new, liberating mode of production, and as the menace of a dystopian possibility which is that mode of production’s baleful mirror image."
*5208 $a“Noise is a model of cultural historiography. . . . In its general theoretical argument on the relations of culture to economy, but also in its specialized concentration, Noise has much that is of importance to critical theory today.” SubStance“For Attali, music is not simply a reflection of culture, but a harbinger of change, an anticipatory abstraction of the shape of things to come. The book’s title refers specifically to the reception of musics that sonically rival normative social orders. Noise is Attali’s metaphor for a broad, historical vanguardism, for the radical soundscapes of the western continuum that express structurally the course of social development.” EthnomusicologyJacques Attali is the author of numerous books, including Millennium: Winners and Losers in the Coming World Order and Labyrinth in Culture and Society.
*650 4$aMusikkhistorie$_10460800
*650 4$aMusikksosiologi$_12024300
*650 4$aSosiologi$_10016900
*650 4$aStøy$_14020200
*650 4$aØkonomi$_10052900
*65004$aMusikk$_10004000
*65004$aPolitikk$_10095300
*7400 $aBruits : essai sur l'economie politique de la musique
*830 0$aTheory and History of Literature$vVolume 16$_31463700
^