*0010862550
*003NO-LaBS
*00520211116211201.0
*007t 
*008210106s2020    xx     er         0 eng d
*009     cam         1      
*019  $bl
*020 #$a978-0-7148-7759-4$qinnbundet
*0243#$a9780714877594
*035  $a(NO-LaBS)12819151(bibid)
*035  $a(NO-OsBAS)150364963
*040  $bnor
*082  $a709.04$qNO-OsBAS$223
*082  $a777.09$qNO-OsBAS$223/nor
*090  $c709.0407$dLON
*1001#$aLondon, Barbara$_34456100
*24510$aVideo/art$bthe first fifty years$cBarbara London
*260  $aLondon$bPhaidon Press Limited$c2020
*300 #$a280 sider$billustrasjoner$c21 cm
*336 #$atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337 #$auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338 #$abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*5208#$aThe curator who founded MoMA's video program recounts the artists and events that defined the medium's first 50 years. Since the introduction of portable consumer electronics nearly a half century ago, artists throughout the world have adapted their latest technologies to art-making. In this book, curator Barbara London traces the history of video art as it transformed into the broader field of media art - from analog to digital, small TV monitors to wall-scale projections, and clunky hardware to user-friendly software. In doing so, she reveals how video evolved from fringe status to be seen as one of the foremost art forms of today.
*61024$aMuseum of modern art(New York)$_43055100
*650 4$aVideokunst$_20265300
*650 7$a1900-talet$2Bokbasen AS$9nno$_48538600
*650 7$a1900-tallet$2Bokbasen AS$9nob$_46082400
*650 7$aModerne kunst$2Bokbasen AS$9nno$_48693200
*650 7$aModerne kunst$2Bokbasen AS$9nob$_48526300
*85641$amedia.boknett.no$nBokbasen, Oslo$qimage/jpeg$uhttps://media.boknett.no/objects/63/49/150364963/productimage_ORG_fe6f0f25e1175a1811542d265f1358a3098151c3.jpg$3Omslagsbilde
^