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Utgitt:
2011 . - Bok . - 638 s.
Engelsk
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With John Lee Hooker's death in June 2001 the world lost one of the last great Mississippi Delta bluesmen. Acclaimed writer Charles Schaar Murray's Boogie Man is the authorized and authoritative biography of this musician whose extraordinary career spanned over fifty years and included over one-hundred albums and five Grammy Awards. Murray was given unparalleled access to Hooker, and lets him tell his own story in his own words, from life in the Deep South to San Francisco, from the 1948 blues anthem "Boogie Chillen" to the Grammy-winning album The Healer nearly a half-century later. Boogie Man is far more than merely a brilliant biography of one man; it also gives the story of the music that inspired him. "When I die," Hooker said, they'll bury the blues with me. But the blues will never die." Here is the book that does him and his music full justice.
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781.643092 HOO
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NrAvdelingBindPlasseringNoteStatusHylle
1Sølvberget, 3. etasje Musikk musikkbøkerPå hylla 781.643092 HOO
The first full-length biography of one of the most important and influential Blues musicians of the century. It tells how a Delta farmer's son born in 1920 cut his first million-selling record in 1951 and 40 years later was elected to the Rock and Roll Hall of Fame. And beyond that, describes a whole element of American twentieth-century social and cultural history. Given unparallelled access by Hooker, and by many of the great musicians of today from B.B. King to Robert Cray, this is a majorwork of music and history.

‘You the funkiest man alive.’ Miles Davis’ accolade was the perfect expression of John Lee Hooker’s apotheosis as blues superstar: recording with the likes of Van Morrison, Keith Richards and Carlos Santana; making TV commercials (Lee Jeans); appearing in films (The Blues Brothers); and even starring in Pete Townshend’s musical adaptation of Ted Hughes’ story The Iron Man.

His was an extraordinary life. Born in the American deep south, he moved to Detroit and then, in a career spanning over fifty years, recorded hypnotic blues classics such as ‘Boogie Chillen’, rhythm-and-blues anthems such as ‘Dimples’ and ‘Boom Boom’ and, in his final, glorious renaissance, the Grammy-winning album The Healer. Charles Shaar Murray’s authoritative biography vividly, and often in John Lee Hooker’s own words, does magnificent justice to the man and his music.

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